People have complimented
me on my photos for this blog. The quality of inexpensive cameras
today really helps. But, the best aspect of my photography is
lighting. And, I take no credit for that. You see, my studio has a
big picture window just to the left of my longarm frame. It's a
northern exposure, so no sun comes in that window, but tons of light,
which creates the shadows that highlight the quilt line.
The reason I mention this,
is that sometimes, great texture shows in the studio, and therefore
in the quilt photos, only to have that texture disappear when the
quilt is hung in a show or on the wall of your house. This has been a
great frustration to me. And, one that I try to keep in mind when I
plan quilting. Am I spending too much time creating complex quilt
motifs that will never been seen? I'm afraid I have in the past.
Hopefully, that will not
be the case of the Christmas in Baltimore quilt...but it is still a
possibility. With that in mind, here are Blocks 9 through 12.
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